Wednesday, January 04, 2006

Bringing the Business to the White Liberals, Once Again - First Dylan Now McGruder

Please pardon extensive quotations for this entry, but I just had to point out these hilarious events. As a prelude, let me first say that I hate Eric Alterman and his strategy of bringing the white man to the center of all things "left" as often as he can (see, for example, his debate with Robin DG Kelley from "The Nation" in May of 1998, and his more recent idiotic argument about Roe v.Wade during the Roberts' confirmation hearings).
That's why I got such a kick out of this New Yorker article that a friend forwarded to me this morning. It includes the description of a Nation awards dinner at which Aaron McGruder spoke:

Toward the dessert (chocolate torte) portion of the evening, Uma Thurman rose to introduce a special guest: Aaron McGruder, the creator of the popular and subversive comic strip “The Boondocks,” who, as it happens, had travelled farther than anyone else to be there, all the way from Los Angeles. McGruder, one of only a few prominent African-American cartoonists, had been making waves in all the right ways, poking conspicuous fun at Trent Lott, the N.R.A., the war effort. An exhibition of his comic strips—characters with Afros and dreadlocks drawn in a style borrowing heavily from Japanese manga,with accentuatedforeheads and eyes—was on display in the Metropolitan Club’s Great Hall. It seemed to be, as a Nation contributor said later, “his coronation as our kind of guy.”
But what McGruder saw when he looked around at his approving audience was this: a lot of old, white faces. What followed was not quite a coronation. McGruder, who rarely prepares notes or speeches for events like this, began by thanking Thurman, “the most ass-kicking woman in America.” Then he lowered the boom. He was a twenty-nine-year-old black man, he said, who got invited to such functions all the time, so you could imagine how bored he was. He proceeded to ramble, at considerable length, and in a tone, as one listener put it, of “militant cynicism,” with a recurring theme: that the folks in the room (“courageous”? Please) were a sorry lot.
He told the guests that he’d called Condoleezza Rice, the national-security adviser, a mass murderer to her face; what had they ever done? (The Rice exchange occurred in 2002, at the N.A.A.C.P. Image Awards, where McGruder was given the Chairman’s Award; Rice requested that he write her into his strip.) He recounted a lunch meeting with Fidel Castro. (He had been invited to Cuba by the California congresswoman Barbara Lee, who is one of the few politicians McGruder has praised in “The Boondocks.”) He said that noble failure was not acceptable. But the last straw came when he “dropped the N-word,” as one amused observer recalled. He said—bragged, even—that he’d voted for Nader in 2000. At that point, according to Hamilton Fish, the host of the party, “it got interactive.”
Eric Alterman, a columnist for The Nation, was sitting in the back of the room, next to Joe Wilson, the Ambassador. He shouted out, “Thanks for Bush!” Exactly what happened next is unclear. Alterman recalls that McGruder responded by grabbing his crotch and saying, “Try these nuts.” Jack Newfield, the longtime Village Voice writer, says that McGruder simply dared Alterman to remove him from the podium. When asked about this incident later, McGruder said, “I ain’t no punk. I ain’t gonna let someone shout and not go back at him.”
Alterman walked out. “I turned to Joe and said, ‘I can’t listen to this crap anymore,’ ” he remembers. “I went out into the Metropolitan Club lobby—it’s a nice lobby—and I worked on my manuscript.”
Newfield joined in the heckling, as did Stephen Cohen, a historian and the husband of Katrina vanden Heuvel. “It was like watching LeRoi Jones try to Mau-Mau a guilty white liberal in the sixties,” Newfield says. “It was out of a time warp. Who is he to insult people who have been putting their careers and lives on the line for equal rights since before he was born?”
By the time McGruder had finished, and a tipsy Joe Wilson took the microphone to deliver his New Year’s Resolutions, perhaps half the guests had excused themselves to join Alterman in the lobby. A Nation contributor estimated that McGruder had offended eighty per cent of the audience. “Some people still haven’t recovered,” he said, sounding thrilled.
“At a certain point, I just got the uncomfortable feeling that this was a bunch of people who were feeling a little too good about themselves,” McGruder said afterward. “These are the big, rich white leftists who are going to carry the fight to George Bush, and the best they can do is blame Nader?”
He went on, laughing a little, “I was not the right guest for that event. I’ll be the first one to say that. It was one of those reminders that, yeah, I’m not this political leader that people are looking for.”


All right, now wind back your time-machine for a similar backfiring and hilarious speaker at the Tom Paine awards in 1963. At this event, Bob Dylan, among other things,
got up and said,

I'm proud that I'm young. And I only wish that all you people who are sitting out here today or tonight weren't here and I could see all kinds of faces with hair on their head - and everything like that, everything leading to youngness, celebrating the anniversary when we overthrew the House Un-American Activities just yesterday, - Because you people should be at the beach. You should be out there and you should be swimming and you should be just relaxing in the time you have to relax. (Laughter) It is not an old peoples' world. It is not an old peoples' world. It has nothing to do with old people. Old people when their hair grows out, they should go out. (Laughter) And I look down to see the people that are governing me and making my rules - and they haven't got any hair on their head - I get very uptight about it. (Laughter).....So, I accept this reward - not reward, (Laughter) award in behalf of Phillip Luce who led the group to Cuba which all people should go down to Cuba. I don't see why anybody can't go to Cuba. I don't see what's going to hurt by going any place. I don't know what's going to hurt anybody's eyes to see anything... I'll stand up and to get uncompromisable about it, which I have to be to be honest, I just got to be, as I got to admit that the man who shot President Kennedy, Lee Oswald, I don't know exactly where --what he thought he was doing, but I got to admit honestly that I too - I saw some of myself in him. I don't think it would have gone - I don't think it could go that far. But I got to stand up and say I saw things that he felt, in me - not to go that far and shoot. (Boos and hisses) You can boo but booing's got nothing to do with it. It's a - I just a - I've got to tell you, man, it's Bill of Rights is free speech and I just want to admit that I accept this Tom Paine Award in behalf of James Forman of the Students Non-Violent Coordinating Committee and on behalf of the people who went to Cuba. (Boos and Applause)


While Dylan and MacGruder had different gripes about their audiences, for MacGruder race is the issue, for Dylan, it seemed to be age and style, they both managed to freak out complacent liberals who wanted to coopt them for their own reasons. And what's not to enjoy about that?

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